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#51
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#52
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Not surprising that a bassist wouldn't care for someone like Satch though, the bassist (or drummer for that matter) never does anything interesting in his songs. I'm all for extended solos and 'shreddy' music in general whether it's Wooten, Malmsteen, Coltrane, Vivaldi, or this: <iframe width="425" height="349" src="http://www.youtube.com/embed/XMouQdQwS3k" frameborder="0" allowfullscreen></iframe> | |||
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#53
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Of course, embed fail. Direct link to poor audio but awesome playing...
http://www.youtube.com/watch?v=9NXcx1sTpAY | ||
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#54
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Shorter and slightly more ridiculous one with better audio:
http://www.youtube.com/watch?v=XMouQdQwS3k I have a violin too but I couldn't play that shit if I spent the rest of my life practicing. | ||
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#55
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I hate this forum. Now the original embed is showing up.
No wonder I rarely go to rantsnflames, no editing sucks. | ||
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#57
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__________________
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#58
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__________________
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#59
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#60
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Certain pick-ups, strings, head units, speakers etc. give off different tones when you modulate them. For example, I get a totally different tone when playing through a 2x15 than I do through a 4x10 because it moves bigger and lower sounds, if I use flatwounds over roundwounds I get a more rounded "damper" sound, if I use tube driven heads I get harder distortions and warmer tones. Guitar players get a much thicker, aggressive tone when playing through bass cabs than actual guitar cabs is another example, when I change my tech around I'm really just moving around the wet tone to get a sound specific to the genre I play (I.E I want vintage bass units for stoner metal, high-gain processors for something more modern etc.) So in essence... Even if Troy played in the same manner as me, and we had the same technical level, technique and sensibilities, I would get a much dirtier, aggressive, bassy tone from my set up and he would get a far more clear and sharp sound from his... So gear is important for tone | |||
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