Rinna

[Tamika]

Is it normal for Rinna to be waiting at the Nektulos zoneline in EC waiting to stomp anyone that zones in?

[Abacab-insurection]

If you know how to glitch her in the wall then yeah, but the new fad is dragging the level 30 rangers to the tunnel for that sweet snare spam.

[Shannacore]

Abacabbbb :(

[Aarone]

Abacabbbb :(

You know, Ab (can I call you Ab?), I'm curious: did you know you've named yourself after a Genesis tune? Good choice if you did - though I don't really envision you as an '80's progressive rock guy, the lyrics are pretty fitting.

http://www.youtube.com/watch?v=NoEj_BRAleQ

[Droop]

ABACABB is the blood code for Mortal Kombat on Sega Genesis IIRC.

[Tamika]

It's not abacabb it's a level 4 necro called Atrofee doing it I think.

[Shannacore]

You know, Ab (can I call you Ab?), I'm curious: did you know you've named yourself after a Genesis tune? Good choice if you did - though I don't really envision you as an '80's progressive rock guy, the lyrics are pretty fitting.

http://www.youtube.com/watch?v=NoEj_BRAleQ

He was well aware. Pretty sure the first time I talked to him he linked me that video.

[Ihealyou]

Abacab (Atlantic; 1981) was released almost immediatly after Duke and it benefits from a new producer, Hugh Padgham, who gives the band a more eighties sound and though the songs seem fairly generic, there are still great bits throughout: the extended jam in the middle of the title track and the horns by some group called Earth, Wind, and Fire on "No Reply at All" are just two examples. Again the songs reflect dark emotions and are about people who feel lost, or who are in conflict, but the production and sound are gleaming and upbeat (even if the titles aren't: "No Reply at All", "Keep it Dark", "Who Dunnit?", "Like It or Not"). Mike Rutherford's bass is obscured somewhat in the mix but otherwise the band sounds tight and is once again propelled by Collins' truly amazing drumming. Even at its most despairing (like the song "Dodo", about extinction), Abacab musically is poppy and lighthearted.

My favorite track is "Man on the Corner", which is the only song credited soley to Collins, a moving ballad with a pretty synthesized melody plus a riveting drum machine in the background. Though it could easily come off any of Phil's solo almbums, because the themes of lonlieness, paranoia and alienation are overly familiar to Genesis it evokes the band's hopeful humanism. "Man on the Corner" profoundly equates a relationship with a solitary figure (a bum, perhaps a poor homeless person?), "that man on the corner" who just stands around. "Who Dunnit?" profoundly expresses the theme of confusion against a funky groove, and what makes this song so exciting is that it ends with its narrator never finding anything out at all.

[Hasbinbad]

Abacab (Atlantic; 1981) was released almost immediatly after Duke and it benefits from a new producer, Hugh Padgham, who gives the band a more eighties sound and though the songs seem fairly generic, there are still great bits throughout: the extended jam in the middle of the title track and the horns by some group called Earth, Wind, and Fire on "No Reply at All" are just two examples. Again the songs reflect dark emotions and are about people who feel lost, or who are in conflict, but the production and sound are gleaming and upbeat (even if the titles aren't: "No Reply at All", "Keep it Dark", "Who Dunnit?", "Like It or Not"). Mike Rutherford's bass is obscured somewhat in the mix but otherwise the band sounds tight and is once again propelled by Collins' truly amazing drumming. Even at its most despairing (like the song "Dodo", about extinction), Abacab musically is poppy and lighthearted.

My favorite track is "Man on the Corner", which is the only song credited soley to Collins, a moving ballad with a pretty synthesized melody plus a riveting drum machine in the background. Though it could easily come off any of Phil's solo almbums, because the themes of lonlieness, paranoia and alienation are overly familiar to Genesis it evokes the band's hopeful humanism. "Man on the Corner" profoundly equates a relationship with a solitary figure (a bum, perhaps a poor homeless person?), "that man on the corner" who just stands around. "Who Dunnit?" profoundly expresses the theme of confusion against a funky groove, and what makes this song so exciting is that it ends with its narrator never finding anything out at all.
Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

[Jeice]

I miss her

[Bodeanicus]

Jesus Christ, Genesis is the whitest band on the planet. Cookie cutter, mediocre, bland shit. No wonder you're such a fucking douche.

[Jeice]

Genesis is cookie cutter? Hmmm

[Aarone]

Jesus Christ, Genesis is the whitest band on the planet. Cookie cutter, mediocre, bland shit. No wonder you're such a fucking douche.

Say what you want (and I disagree wholeheartedly, for what it's worth), there was a point in time where Phil Collins had the absolute Midas touch with a pop tune (and believe me, in general, I hate pop - but these guys, and Gabriel, for that matter, had it going on).

And the man can flat out drum - there's no disputing that.

[Aarone]

http://www.youtube.com/watch?v=huXh3M7bCs4&feature=related

'nuff said

[Bodeanicus]

Say what you want (and I disagree wholeheartedly, for what it's worth), there was a point in time where Phil Collins had the absolute Midas touch with a pop tune (and believe me, in general, I hate pop - but these guys, and Gabriel, for that matter, had it going on).

And the man can flat out drum - there's no disputing that.

Yes, he did. With the WASP demographic. The kind of people who can't dance, and think Elvis was the height of soul music.

Gabriel's work post-Genesis was much more intriguing.

[Bodeanicus]

http://www.youtube.com/watch?v=huXh3M7bCs4&feature=related

'nuff said

Exactly. It's terrible.

[Aarone]

Exactly. It's terrible.

You're entitled to your opinion.

[Lazortag]

Jesus Christ, Genesis is the whitest band on the planet. Cookie cutter, mediocre, bland shit. No wonder you're such a fucking douche.

Phil Collins genesis was shit, but if you say anything bad about Peter Gabriel-era genesis then you're obviously a poopoo head and a stupidface.

[Autotune]

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

awesome movie. if it's from what i think it is.

[Mindsplatter]

Am I the only one who knows ABACABB's true form? Deathcore for life :3

[Arronwy]

How did this thread go from Rinna being gay as shit to about music?

[Humerox]

Say what you want (and I disagree wholeheartedly, for what it's worth), there was a point in time where Phil Collins had the absolute Midas touch with a pop tune (and believe me, in general, I hate pop - but these guys, and Gabriel, for that matter, had it going on).

And the man can flat out drum - there's no disputing that.

Man...most prolly don't remember The Lamb Lies Down on Broadway. Pure genius. Cookie cutter? Right.

[Aarone]

Man...most prolly don't remember The Lamb Lies Down on Broadway. Pure genius. Cookie cutter? Right.

That is a truly epic tune :D

[eqdruid76]

I'm keen to guess he actually chose the name from the classical musical form A-B-A-C-A-B, rather than a horrible Genesis album.

[Nocte]

Please put Rinna on Beta Neutral faction already so we can stop paying the trolls more attention. I know the concern is with the scope of keeping things classic, but I doubt anyone but the trainer(s) are going to throw a fit about it, and if they do, well, they're doing already anyway.